DV8

"...dramatic coherence, human integrity, irresistible visual power, were all there in the most outstanding work I have seen all year."
The Daily Telegraph

DV8 Physical Theatre was formed in 1986 and has been led since its inception by Lloyd Newson.

The company has produced 17 highly acclaimed dance pieces, which have toured internationally, and four award-winning films for television.

DV8 Physical Theatre receives regular funding from Arts Council England and is an Artsadmin associate company. DV8 has also received project support from The British Council. DV8 is a member of the ITC and Dance UK.

DV8 Physical Theatre's work is about taking risks, aesthetically and physically, about breaking down the barriers between dance and theatre and, above all, communicating ideas and feelings clearly and unpretentiously. It is determined to be radical yet accessible, and to take its work to as wide an audience as possible.

DV8 is motivated by artistic inspiration and creative need: these, rather than financial, organisational and touring demands dictate the creation of new works.

Great emphasis is placed on the process by which new work is created. The company has fought successfully for funding to cover lengthy research and development periods in order to maintain rigorous artistic integrity and quality in each new project. The focus of the creative approach is on reinvesting dance with meaning, particularly where this has been lost through formalised techniques.

DV8's work inherently questions the traditional aesthetics and forms which pervade both modern and classical dance, and attempts to push beyond the values they reflect to enable discussion of wider and more complex issues.

DV8 (Dance and Video 8)'s strong commitment to film and video continues. This reflects its ongoing interest in how two primarily visual media can enhance one another and reach a crossover audience from within both forms.

The company's reputation relies on pushing its own boundaries and on the constant re-examination of the roles and relationships of men and women in our society. Its policy insists on the importance of challenging our preconceptions of what dance can, and should, address.

Taken from across http://www.dv8.co.uk/